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Robert Bresson
Robert Bresson (; 25 September 1901 – 18 December 1999)〔 This site uses Bresson's birth certificate as its source of information.〕 was an acclaimed French film director. Known for a spiritual and ascetic style, he contributed notably to the art of film, and particularly the French New Wave. Bresson is considered to be of paramount importance to minimalist film, as most of his work featured non-professional actors, little use of music or scoring, and ellipsis, in which events important to the narrative are not visually depicted. He is arguably, along with Jean-Luc Godard, the most highly regarded French filmmaker after Jean Renoir.〔()〕 Godard himself once wrote, "Robert Bresson is French cinema, as Dostoevsky is the Russian novel and Mozart is German music."〔()〕
==Life and career==
Bresson was born at Bromont-Lamothe, Puy-de-Dôme, the son of Marie-Élisabeth (née Clausels) and Léon Bresson.〔()〕 Little is known of his early life. He was educated at Lycée Lakanal in Sceaux, Hauts-de-Seine, close to Paris, and turned to painting after graduating. Three formative influences in his early life seem to have a mark on his films: Catholicism, art and his experiences as a prisoner of war. On his beliefs, Bresson had called himself a "Christian atheist". Robert Bresson lived in Paris, France, in the Île Saint-Louis.
Initially also a photographer, Bresson made his first short film, ''Les affaires publiques'' (''Public Affairs'') in 1934. During World War II, he spent over a year in a prisoner-of-war camp - an experience which informs ''Un condamné à mort s'est échappé ou Le vent souffle où il veut'' (''A Man Escaped''). In a career that spanned fifty years, Bresson made only 13 feature-length films. This reflects his meticulous approach to the filmmaking process and his non-commercial preoccupations. Difficulty finding funding for his projects was also a factor.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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